Please be advised that there may be delays in the dispatch of your order due to internal process changes. We expect that delivery times will return to normal by Friday, 8 August 2025. During this period, we are unable to guarantee express shipping. We sincerely apologise for any inconvenience this may cause and greatly appreciate your patience and understanding.
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Complimentary gift wrapping
Reserve to collect and pay in store
Find a store below to pay and collect the product in store. The product will usually be ready for collection within two hours during store opening hours.
Due to frequent store inventory changes, an item's availability is not quaranteed before you receive a confirmation email.
Due to frequent store inventory changes, an item's availability is not quaranteed before you receive a confirmation email.
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We will send you an email, once the product is ready for collection.
Please complete the reservation form
With the Click & Reserve service, you have the chance to check stock availability of your desired products online, reserve them and purchase them conveniently from a shop near you.Read more about our Click & Reserve service here
COBRA Salad Set
This handsome salad set consists of one serving fork and spoon. The cutlery is produced in stainless steel with a mirror finish. The set is dishwasher safe, but we recommend handwashing.
Constantin Wortmann always strives to inject a playful element in his work, believing that design need not be taken too seriously. His motto is ‘form follows emotions’ and so he takes archetypal objects and then redesigns them by adding something quirky that evokes a reaction from the consumer. He is responsible for some of Georg Jensen’s most popular pieces.
Born in 1970 in Germany, Constantin Wortmann studied design in Munich before working with legendary lamp designer Ingo Mauer. Later he co-founded influential agency Büro für Form from where he undertook furniture, interior and lighting projects. He is an expert at working with very advanced computer programmes and evolves natural organic shapes entirely on screen before making them real. As a result, his work is precise and controlled but still with an emotional pull in its use of shape.
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